1887. Colorado. A deserted town lit by the glow of a reddish full moon. A stagecoach full of passengers and an enigmatic gunslinger find themselves prisoners of two outlaws on the run. As the travelers attempt to outwit the outlaws it becomes apparent that a bigger menace lurks outside; a beast that only appears on the night of a blood red moon.

An unnamed UK metropolis. The future. Renowned photojournalist JENNIFER PRESTON is investigating the aftermath of a terrible explosion that ripped through the city on New Year's Eve. Known simply as 'The Catastrophe', this shocking tragedy has left behind a festering wound. The city is on edge, thousands have evacuated and a sprawling, militarized Quarantine Zone has been erected around the epicentre of the blast. The 'QZ', as it becomes known, is a network of empty buildings and abandoned streets, shrouded beneath clinical plastic and fenced in behind impenetrable barricades. Heavily armed security units ensure that nobody goes in and nobody comes out. As unexplained and increasingly bizarre acts of violence erupt across the city, Jennifer begins to notice strange, ephemeral phantoms in her photographs. What begins as an artistic documentation of The Catastrophe's lingering aftershock soon becomes an obsession with 'The Phenomenon' - a seeming paranormal phenomenon gripping the ...

A mother and her daughter, a mother and her son, and a man living with one and attracted to the other. Miro, a teen from Sarajevo, lives near King's Cross with his mother; he's nimble, able to run across roofs, so his uncle hires him to break into office skylights, so the uncle can boost computers. Twice they steal from Will's architectural firm, so Will stakes it out at night. He follows Miro home and returns the next day and meets Miro's mother, Amira. At home, Will's relationship with Liv is strained - he feels outside Liv and her daughter Bea's circle. The stakeout and Amira's vulnerability are attractive alternatives to being at home. The police, too, watch Miro.